Posts Tagged ‘singer/songwriter’

LONELY BLUE WAVES (i WANT YOU) / ViDEO STiLL FOR OFFiCiAL MUSiC ViDEO RELEASE

Published by cctadmin on April 16th, 2012

Here’s a still from the Lonely Blue Waves (I Want You) video, set for release on May 20th.

Stay tuned!

A Torrid Production
Cinematography by Bonnie Findley
Directed by Danniel Oickle

 

Lonely Blue Waves (I Want You) is available on iTunes here: http://bit.ly/zQFwDg

 

Lonely Blue Waves (I Want You)

Some say you’re just adrift / Lonely blue waves / I bet it’s true / But for now / I want you / You’ve said you’re just an old fool / A sailor off shore / They’ll come to you / Oh, how its true / I want you / Sailor, why oh why / Why do I yearn for a love long gone (I cry all night long) / Tell me why oh why / Why did you leave me / Sinking in this lonesome sea? / I’d say it’s me who’s the fool / Old habits die hard / So sad, but it’s true / Worst part of it is / I still want you / Lonely blue waves /I want you/ My sailor off shore /I’m telling you I want you

 


CALiFORNiAN SiNGER/SONGWRiTER JACKSON BROWNE : LATE FOR SKY / 1974

Published by cctadmin on March 11th, 2012

The quintessential sensitive Californian singer/songwriter of the early ’70s, JACKSON BROWNE ranked alongside  JONi MiTCHELL and JAMES TAYLOR in terms of influence.  While the majority of his classic ’70s work were very personal, his music nevertheless provided a touchstone for a generation of maturing baby boomers coming to terms with adulthood. Not only did his introspective, literate lyrics strike a nerve, but his laid-back folk-rock set the template for much of the music to come out of California during the ’70s.

LATE FOR SKY(1974) consolidated BROWNE’S fan base. His work began to demonstrate a reputation for memorable melody, insightful (and often very personal) lyrics, and a talent for his arrangements in composition. It featured a Margritte-inspired cover. Highlights included the title song, the “For a Dancer,” “Before the Deluge” and the often-covered “Fountain of Sorrow.” The arrangements featured the violin and guitar of DAViD LiNDLEY, JAi WiNDiNG’S piano, and the harmonies of DOUG HAYWOOD. The title track was also featured in MARTiN SCORSESE’S film TAXi DRiVER. During this period, Browne began his fractious but lifelong professional relationship with singer-songwriter WARREN ZEVON, mentoring his first two Asylum albums through the studio as a producer.

 


SONG of the DAY : A MUSiC BLOG DEVOTED to the SHARiNG of MUSiC of ALL GENRES / CC SUBMiSSiON SENT!

Published by cctadmin on March 10th, 2012

Thanks to the wonderful world of the web I have discovered SONG of the DAY, a music blog devoted to the sharing of all types of music, and I have decided to submit my music (from THEY SAY i’M DiFFERENT) in effort to possibly have it featured !

Wish me luck as the more exposure I can give my music the better!

Song of the Day >>

 

 


MUSiC LOG : JAMMiNG with iSAAC VALENTiNE; Oct 18th, 2011.

Published by cctadmin on October 20th, 2011

I happen to work with a really cool guy if you ask me – quite a natural talent.  I met MR. iSAAC VALENTiNE a short while ago – but I quickly took to his quiet nature, kindness and maturity.   I mean, for a young man on the verge of 18 I am impressed with not only with his character but as I’ve gotten to know him – also his musical talents which are plenty.

I will say no more, as I know time will reveal plenty about him – for now what’s important to note is that iSAAC VALENTiNE has ARRiVED and I welcome him here with open arms!  So much so that we have developed our own musical friendship – leading us to merge our talents by jamming yesterday.  In particular, and primarily because I was blown away by his songwriting – we played around with a VALENTiNE original tune called WORKHORSE.  It’s one of many lovely songs he wrote.

iSAAC VALENTiNE has and will be performing his music (folksy – with an edge) around Ottawa through out the season ahead, also while he continues to write songs and record his own music, so I will do my best to keep you abreast on where these gigs are, and when you might be able to expect a release from him -I know I’ll most certainly be there to support this guy.

In the meantime check out some snaps taken yesterday to log our initial session together.


MUSiC : NASHViLLE SKYLiNE, BOB DYLAN, 1969

Published by cctadmin on February 16th, 2011

Once I had mountains in the palm of my hands
Rivers that ran through every day
But I must have been mad
I never knew what I had
Until I threw it all away…

-Bob Dylan

NASHViLLE SKYLiNE is Bob Dylan’s ninth studio album, released by Columbia Records in April 1969.

The album marked a departure for Dylan, who had previously been known for his poetic folk music and rock n’ roll.  NASHViLLE SKYLiNE, displayed his complete immersion into COUNTRY MUSiC – and out of it came a brilliant album.  Along with the more basic themes, simple songwriting structures, and domestic feel, it introduced audiences to a softer and more affected country crooner in Dylan.

NASHViLLE SKYLiNE was definitely a departure for the folk and rock music Bob Dylan became famous for in the early 1960’s.  When I discovered this 1969 album it quickly became one that I had playing for months.  Every song was a favourite.  Dylan was and remains a poetical genius, yes, but so many incredible songs of his earlier career get overshadowed in the face of his monster hits.  I Threw It All Away is not a political anthem.   It doesn’t provide any kind of social commentary.  It is however, a song that I wish I could have written.  Rather, I should say it feels like a song that could have been written for me.  Yet don’t we all feel that way about certain songs?  That’s the joy of music, after all.  Ultimately, Dylan is being confessional when he croons “Once I had mountains in the palm of my hand, And rivers that ran through ev’ry day, I must have been mad, I never knew what I had, until I threw it all away”.  A critic who once put it extremely well offers that that he gives “a glimmer of honesty from a person who has taken love for granted, squandered its rewards, and lived to sing about it.”  And this is what most appeals to me; the universality that we have all experienced at one time or another.  Or not, if we have been so fortunate.  I have been in those shoes.  I have made that human error of taking something or someone for granted.  And I have lived to sing about it. And it is because of this I connected to it in a way that solidifies it as a standout.  Period.  To be sure, as difficult as it can be to look back on something and realize that you ‘threw it all away’, the song is not all gloom and doom.  There is an implication that a lesson was learned and that there is hope.  That hope can be all we need to get by sometimes.