Posts Tagged ‘James Taylor’

QUESTiON : WHAT SONG LYRiCS iNSPiRE YOU? / SERENDiPiTY & THE POWER OF LYRiC iN MUSiC : A CC CONFESSiONAL

Published by cctadmin on April 1st, 2012

The other day I was in conversation with a friend,  specifically sharing song lyrics that iNSPiRE us in some way.  The conversation had started out light enough – did we love the new MADONNA song GiRL GONE WiLD or … not so much?  Our views on MADONNA aside the conversation steered away from her and more towards the direction of citing lyrics that  have left an impression or were/remain significant on some level (often in a healing or comforting way).  Music can hold all kinds of meaning to people, and to each of us a song will stand out for whatever reason we a drawn to – rhythm, voice, what have you – in this instance we were referring to the meaning of a good lyric.  Song writing can be a powerful art/tool.

Let me share a personal story.  The year was 1992, so this was 20 years ago now.  I was 13 years old and struggling very much at school, from a social perspective.  You know the story:  delicate gay boy conflicted by life  in a small mining community up north of what seemed nowhere.  I was a decent student, certainly not at the top of the class but I did well enough.  Not involved in sports, I  didn’t have the confidence to participate in real interests like band, choir or drama classes.  Incredibly shy and insecure as well as unabashedly gay – there was no hiding what came natural to me, making me susceptible to being on the receiving end of enough ridicule.  Those were and are arguably still the times but that was my reality, along with many others everywhere around the world, although I would only grow to  really grasp this in future years.

Bullying was a regular part of life, as was music.  I could spend the day at school, invisible or ostracized, yet I could always rely on coming home to where it felt safe.  This was usually in my room, listening to music, writing, playing and singing.  I was not sharing these difficulties with adults around me – for this is what fear and shame can do to a young and developing mind.  I did however turn to music. I found that lyrics were as important to me as any beautiful melody;   my natural affinity was to gravitate towards music that lent itself to story-telling, confessions – and I had no shortage of music to listen to; NEiL YOUNG, JONi, JAMES TAYLOR  and of course, MiSS DOLLY PARTON.  I could always find peace or calm with music.  At the very least, sweet escape.

If any of you can remember the movie STRAiGHT TALK (which came out in 1992 and there is NO shame if you do remember!) you must recall the song at the opening credits of the film, you know where SHiRLEY KENYON (DOLLY) ditches her small town life for CHiCAGO in search of her big dreams.  The song that opens STRAiGHT TALK is called LiGHT OF A CLEAR BLUE MORNING.  Here are some lyrics:

Its been a long dark night
And Ive been a waitin for the morning
Its been a long hard fight
But I see a brand new day a dawning
I’ve been looking for the sunshine
Cause I aint seen it in so long
But everythings gonna work out just fine
Everythings gonna be all right
That’s been all wrong

Cause I can see the light of a clear blue morning
I can see the light of a brand new day
I can see the light of a clear blue morning
And everythings gonna be all right
Its gonna be okay

When I picture my 13 year old self watching this film & enjoying it for the escapism it provided – these lyrics did not register.  I knew little of hope – I didn’t know what it meant to SEE THE LiGHT OF A CLEAR BLUE MORNiNG, much less what it meant to feel like EVERYTHiNGS GONNA BE ALL RiGHT.  This was not my state of mind at the time; I was in a perpetual state of fear and anxiety, hopeless  and holding all said fears inside due to the intense  apprehension of judgment.  Like so many stories of gay boys and girls, or just any youth struggling with depression and isolation the only thing on my mind was escaping the pain – the iMMEDiATE pain of which I could not see my way out of.

At 13 years of age I attempted suicide as the summer of 1992 wrapped up and it became time to re-enter school for grade 8.  The fear of the unknown and the anticipation that life was always going to be surrounded in this kind of energy and treatment became too much, and no song or lyric could reach me or help me escape that reality.  I have no shame in telling this story, in fact I know that having come out on the winning end of it all (unlike so many unfortunate stories) it gave me the keys to my freedom and it eventually liberated me.  The details of the story are less important but what is important is that I received that help, and although it took those serious actions from me, adults in my life (including family and the school board) had no choice to to hear this cry for help from a youth in severe crisis.  Fortunately I did receive support and slowly but surely began my healing path.  Of course I will always remain grateful for those who rallied around this former self – to help build a stronger foundation.

To bring it back to music and the power of lyric, many years later I found myself randomly listening to LiGHT of a CLEAR BLUE MORNING somehow, and just like that <CLiCK> – something about the familiarity of the song in context to that former place and time went on like a light switch and I realized the essence of the song;  EVEN WHEN THE SKY IS GREY AND FULL OF CLOUDS – THE SUN IS BEHIND THOSE CLOUDS – JUST WAITING TO COME OUT made more sense to me than ever before.  Though the memories had long since been buried of that time and place, like the Universe sort of nudging me along my path I found myself finding a certain resolve and appreciation for the pasts effect on my being in the present.  To me this defines finding meaning in lyric – hence the healing power of art.

The power of these specific lyrics hit me and I found it serendipitous back then and even today.   It was impossible for that 13year old boy to see what treasures life could behold – and although life as an adult has its own pressures and challenges, one always has to hold on to that hope for a better tomorrow.  Typing the words I know they look and sound cliche but that’s just the real way it is.  The message was there for me although it did take me some time to make a connection.

Today this is why I find myself curious and interested in hearing from other people.  Is there a song or a lyric out there that holds for you great power and meaning?  If so - TELL ME YOUR STORY!! – share it in any way you can, as you can rest assured that the meaning it holds for you has the capacity to impact another person as well, and for the better.  I’d love to hear what you have to say!

 


MUSTACHE LOVE : THE SEDUCTiVE POWER of FACiAL HAiR (MY TRiBUTE)

Published by cctadmin on December 29th, 2011

I’m sad to say so, but MOVEMBER is officially O.V.E.R.  I hadn’t particularly noticed in December, thanks to the Christmas rush of it all – however, I’m far too aware now – there is a complete lack of bearded/mustached men walking around.  Why so sad?  I’m a sucker for a man with facial hair and what MOVEMBER provided was a plethora of interesting faces and characters to behold – all of whom looked FAR more intriguing to me with hair than baby-faced.  You take a normally clean-shaven chap and add four weeks or so of growth and POOF!!! – suddenly he is transformed into a man fare more virile and macho than he ever could have been without.  I’m not entirely sure what that means, I simply know that from an early age, the stache was a powerful magnet that I could not resist.

In fact, recently I tried to seduce my boyfriend (who is already blessed with a thick beard) into shaving it off for way of embracing his inner stache – but his resistance is much too strong (far too strong in my opinion!) despite my coaxing.  I’ve tried to hint at the results he could yield but ….

Oh well.  I will never give up on the dream.  Sooner or later he will fulfill my wish!

In the meantime, I will get my fix by referring to the many other glorious bearded/stashed men of our times – and there is no shortage of examples from which to draw from for inspiration.   ***** MOVEMBER MEN – you would be wise to know that your stache holds a lot of power, perhaps even unbeknown st to you – so do what you can to yield it and put it to good use!!!!  If these men did it – so can YOU!

Feast your eyes on my collection!


iN MY ROOM : TEENAGE HORMONES & FANTASiES

Published by cctadmin on October 6th, 2011

As an adult I can look back on my teenage years with a certain appreciation.   Looking back on some things, like  teen crushes for example, can be funny and quite revealing.   Not to say being a gay teen in small town Manitoba was easy, because it wasn’t.  Part of the frustration for me was that despite the right of passage for all teens to hit puberty and  develop acute sexual frustration/curiosity – I never really had an outlet for sex.  I kept most of my fantasies and curiosities tucked away in the corners of my own pubescent mind, where I could avoid judgment and preserve what turned me on.   You wouldn’t fine me taping pictures of RALPH MACHiO in my locker or giggling with the girls about how dreamy JOEY LAWRENCE was (but in hindsight I’m sure the girls would have gotten it).

Weather you were the girl in school who had posters on her wall of PATRiCK SWAYZE in DiRTY DANCiNG or anyone of the NEW KiDS ON THE BLOCK – or the guy who secretly masturbated to CiNDY CRAWFORD’S PEPSi commercial, it was clearly a normal part of growing up to develop crushes.   For me it was safest to develop said crushes on figures I never had to worry about offending or being beaten up by – which sounds funny but its true.  So instead I developed my ideas of what a sexy man meant to me, through listening to music or watching television and films.  These characters represented, for whatever reason, what I wanted to embody myself in some way, or at the very least – who I wanted to be sexual with.

In honor of our inherent right to explore our sexuality as teens – I’ve come up with as close to a comprehensive list of my own personal TEEN-AGE DREAMS that I can recall.  I mean it when I say its our right to dream – because weather you are gay or straight, popular or nerdy – pretty or damn ugly – you must acknowledge your own teen crushes, in the name of all that is funny and nostalgic.

I did begin to notice some re-occurring themes and characteristics shared by all these TEEN DREAMS as I did my research.  In no special order these commonalities appear to be:

1. All these men have/had a penchant for tight pants.  Whatever that says…

2. They all seem to enjoy heavy posturing and/or showing off.

3. Virility levels are off the charts for most of them…

4. If they weren’t ‘pretty’ there were pretty damn ugly…and these dueling traits carried over to my eventual relationships in reality… food for thought.

All in all – it doesn’t take much for me to recall what it was that originally attracted me to these men – so without further interuption, here they are in alllllllll their glory for YOU to apprecaite!

Who were YOUR teenage fantasies?


TRIBUTE : JAMES TAYLOR / SWEET BABY JAMES (1970)

Published by cctadmin on August 31st, 2011

if there ever was one.  Between him and LiNDSAY BUCKiNGHAM, GRAM PARSONS and ROBERT PLANT I couldn’t get enough growing up, but there was something about TAYLOR that stood out.

I was introduced to TAYLOR’S breakthrough album ‘Sweet Baby James’ in high school, nearly 20 years after its release in 1970.  I did find it intriguing to find out that around this time he had been in and out of a full blown heroin addiction – and somehow this made his delivery all the more appealing.  It made his sorrow and longing real.  SWEET BABY JAMES opens with the song of the same title, and as soon as you hear his natural sense of phrasing, every syllable beautifully in time – you know he had that thing.

There is a young cowboy he lives on the range
His horse and his cattle are his only companions
He works in the saddle and he sleeps in the canyons
Just waiting for Summer, his pastures to change

And as the moon rises he sits by his fire
Thinking about women and glasses of beer
And closing his eyes as the dogies retire
He sings out a song which is soft but it’s clear
As if maybe someone could hear

This introduction to JAMES TAYLOR had my adolescent head spinning.  No, I had never been in a relationship (I was 15) but I knew that if there ever was a ‘type’ that got my senses tingly, it was the JAMES TAYLOR type: sensitive, lonely, and TROUBLED.  HOT.

(Chorus)
Goodnight you moonlight ladies
Rockabye sweet baby James
Deep greens and blues are the colours I choose
Won’t you let me go down in my dreams
And rockabye sweet baby James

I was iN LOVE with this man.  I only wish I could have been at Newport Folk Festival in 1969 to drool.   FiRE and RAiN is a song about TAYLOR’S experience in psychiatric institutions and the suicide of his friend.  His guitar style was really unlike any others at the time -  a finger-picking style that was meant to be like a piano.  Both the album and the single reached #3 in the Billboard charts, with SWEET BABY JAMES selling more than 1½ million copies in its first yearand eventually more than 3 million in the United States alone. SWEET BABY JAMES was received at its time as a folk-rock masterpiece, an album that effectively showcased TAYLOR’S talents to the mainstream public, marked the direction he would take in following years, and made him one of the main forces of the movement.

JAMES TAYLOR is an inspiration to me – personally because I admire his ability to write songs and sing in a way unlike any other man in the history of music.  Kudos to you JAMES, wherever you are – and thanks for the great music!