Posts Tagged ‘exhibit’

JONATHAN HOBiN & LiTTLE LADY/LiTTLE MAN : CiTY HALL ART GALLERY / OTTAWA / MARCH 16-APRiL 29, 2012

Published by cctadmin on March 19th, 2012

Last week I caught the vernissage of award-winning  and internationally noted photographer JONATHAN HOBiN – whose current work LiTTLE LADY/LiTTLE MAN can be seen on display at CiTY HALL (110 Laurier Ave. West).  I strongly encourage you all to go and see this talented man’s work.  I admit, I do not get out to as many art shows as I would like to, esp in a city full of numerous talents, yet I couldn’t miss HOBiN’S exhibit after having seen a teaser for it earlier this season.  What moved me most is how LiTTLE LADY/LiTTLE MAN serves not only as a commentary on mortality and the decline of aging but even more so how it served for HOBiN as a testament to his grandparents, also the subjects of this work.

HOBiN’S work has been called controversial before (including his 2010 exhibition iN THE PLAYROOM; which featured photographs of pre-adolescent children playing in elaborately staged and disturbing scenes), yet when I see LiTTLE LADY/LiTTLE MAN I see no need for controversy – and I can’t help but feel a relation to HOBiN (my beloved granparents both passed away in the summer of 2009 within three months of each other) as well as an affection for the man behind the camera.  I dont’ usually feel this way about the photographer, and this is what I think also compels me more about the work as a whole.  This exhibit goes beyond moving me -

According to HOBiN, this exhibit is inspired by “two lullabies sung to the children in my family by my grandfather who recorded them secretly before his death…Over time, these songs served for me as a beautiful, albeit tragic, metaphor for the fleeting nature of physical power and youthful beauty, conventions that society closely relates to concepts of masculinity and femininity.  With my grandparents representing the archtypes of male and female, the life-size documentation of their final days mirrors the surrender we will all inevitably face.

For further information take a look at the pics I snapped from the information booklet – and know that to really get the full impact and beauty of this work you MUST go SEE iT iN PERSON.  I stood in awe for some time, appreciating the detail and love put into this polished work and the results are just spectacularly moving.  GO!

www.jhobin.com


NORVA CENTRE: ARTS CENTRE FiLLS VOiD iN FLiN FLON: NORTHERN EXPERiENCE, Issue 2 – 2011:

Published by cctadmin on November 3rd, 2011

NORTHERN EXPERiENCE writer LiSA KOPOCHiNSKi wrote a piece on FLiN FLON’S NORVA CENTRE,  featuring it as an art centre/space that has brought together artists and art lovers of all ages over this past year.  This was no small feat as prior to this no such place existed, which I can attest to having grown up in FLiN FLON myself.  For a town that has primarily been known as a mining/hockey/fishing community, the arrival and success that is NORVA Centre are particularly important as it expands its horizons for a way to be more inclusive to the wider community.  I think of all the young and stifled youth in town, who may have felt exactly as I did growing up there – that there really can be a common place for artists and visionaries to gather together for way of exploring, sharing and communicating in a way unlike the town has before.  I commend everyone involved in the success of NORVA, and will keep my fingers crossed that they will continue to move forward in any of their individual or group successes.

Below are a few excerpts from NORTHERN EXPERiENCE’S piece, also highlighting just what the NORVA Centre has brought to the community, as well as how to make it as self-sustaining operation, as NORVA has their sights set on some big goals in the future.  The topic of NORVA and just what it now brings to the isolated community of FLiN FLON is particlarly close to me – and as part of the article itself, I couldn’t have been happier and more honored to share my thoughts with KOPOCHiNSKi.

Having shared the ‘Hail The Narcissist/They Say I’m Different’ exhibit/performance last summer, not only did I feel a terrific sense of inclusion from NORVA and FLiN FLON in general, for they welcomed me home with open arms and interest – but furthermore a sense of optimism and pride for a community that indeed should be nurturing the creative talents there.

For the full article and more information on NORVA Centre, read the article online here :  http://www.lesterpublications.com/samples/Northern/NorthernExp_Issue2-2011-FinalLR.pdf

“Before NORVA, there was really nothing”, says SARAH TREVOR, a local artist and chairperson of the FLiN FLON Art Councils steering committee who is one of the individuals instrumental in getting this project off the ground.  “Several times the arts council had tried to start a gallery but the problem was always if your going to have artists run a center, they have to have space to work.”

Spearheaded with funding from the Royal Bank Emerging Artists Program and founding patrons Hudbay Minerals and the FLiN FLON Neighborhood Revitalization Committee NORVA spans 1,500 square feet and provides painters fibre artists and photographers with enough space to create and display works.

With ample room for 10 to 14 artists, NORVA regularly welcomes new resident artists.  Soon approaching its one-year anniversary, so far the centre has held 17 classes and workshops for all ages.

In August, NORVA hosted a week long art retreat with 36 artists attending, some from as far as NORTH BATTLEFORD, Sask. and WiNNiPEG.  And next summer, NORVA artists are taking a show to the Cre8ery Gallery in WiNNiPEG - the first ever from FLiN FLON.

“Having space to share the skills with others in the community is a huge bonus for our local artists” says TREVOR.  “Such a facility provides the community with the opportunity to get involved in activities that have not been avaliable.”